The Song

You can’t live on it — the feeling.
The contraction of a guitar string,
Such anticipation.
The tankard’s dark, swirling abyss,
Pulse softening.

You can’t live on it —
The flowering of the voice,
Mighty introduction.
The kaleidoscope of colors,
Primal attraction.

You can’t live on it —
The pained pleading chorus,
Lingering mourning.
The ear’s consumption,
Desirous firing.

You can’t live on it —
The final note’s breaking,
Grappling desperation.
The ghostly vibrations of silence,
Deafening denial.

You can’t, you can’t —
Not but for those moments of song,
Pitch pointed, perfect and pure,
Magnetic and hypnotizing in its way.

In those moments you can, you can.
You can live on it.

We are Like Ravens

The raindrops are gray ravens, their call resounding in his ears and brushing at his full cheeks with a feathery and woeful constant. He exhales spirit mists into the blue dawn and rests his tired spine against the slippery wooden bones of the hut’s exterior. There has been a sound in his mind since she left, something like a sigh, a whisper, or a wanting suggestion of desire on the wind, the kind that whistles through the trees and around mountain passes during the winter’s coldest chill.

He pushes his bare toes into the black earth and reaches, eyes closed, for the worn wooden lyre at his side. The sky’s weeping moistens and swells the soundbox and bridge, and like tears on lashes, it slips off the horsehair strings. He is a dark echo of Freyr, conjuring the day’s weeping with his existence, but revolving and drowning in this boggy domain so far in his mind from anything that resembles a shining sun.

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